The erotic Sleeping Beauty trilogy now continues with a fourth novel by master storyteller and bestselling author of Prince Lestat, Anne Rice, writing as A. N. Roquelaure   Mega-bestselling author Annie Rice returns to where she left off in Beauty’s Release with the disappearance of Queen Eleanor in Bellavalten. Now, twenty years after they were forced to leave the kingdom to return to their homeland, Beauty and her husband Laurent agree to travel back as its king and queen, to uphold the ways of complete sensual surrender, with a twist: they now insist on voluntary servitude in Bellavalten.   Countless eager princes, princesses, lords, ladies, and common folk journey to Beauty’s new kingdom where she and her husband awaken their domain, ushering in a new era of desire, longing, and sexual ecstasy. Provocative and stirring, Rice’s imaginative retelling of the Sleeping Beauty myth will be hailed by her longtime fans and new readers of erotica just discovering the novels. This book is intended for mature audiences.

BEAUTY’S KINGDOM is the surprise addition to the infamous Sleeping Beauty trilogy written by Anne Rice under a pseudonym over thirty years ago. In the history of erotic literature, the Beauty books hold a special place of honor and with good cause. From THE CLAIMING OF SLEEPING BEAUTY, through BEAUTY’S PUNISHMENT, and ending with BEAUTY’S RELEASE, we see the innocent sheltered heroine both figuratively and literally awakened to a whole new sensual world neither she nor we thought existed. Each book goes deeper in and further out so that by the time Princess Beauty finds her Happy Ever After with the powerful Prince Laurent, the reader can’t help but be as changed by the experience as its titular character.

But now it’s twenty years later in Beauty’s world, and the domain where she discovered both her true nature and her true love is in danger of collapse. The task ahead is great, and it will take the help of friends both old and new to secure their beloved land’s future. All this and more is the story of how Queen Eleanor’s kingdom is transformed into Beauty’s kingdom.

I wish I could say that I enjoyed reading BEAUTY’S KINGDOM even half as much as I’ve loved the original trilogy. But it became clear to me early on that this book was trying to hook new readers unfamiliar with the previous books while still servicing existing fans by bringing back nearly every named character from the original kingdom. The result is a story that falls down in the two areas where the original books excelled, namely exposition and pacing. It wasn’t wonderful and it wasn’t terrible. It was just…there.

In the original trilogy, the story is focused on Beauty herself, and to some extent, the people with whom she comes in contact on her voyage to self-discovery and love. We are given just enough information about where Beauty is and why it matters, leaving the rest for our own imaginations to run wild. But in BEAUTY’S KINGDOM, everything is laid out for the reader in such meticulous detail that it soon becomes a struggle just to absorb everything without losing track of wherever the plot is supposed to be going.

Thanks to all the catching up on what happened since the last book and all the details involved in Beauty and Laurent deciding to accept the throne, it takes seven long chapters – nearly a third of the book – before we actually get to Beauty’s kingdom. Before then, it’s pages and pages of “and then this happened” with name checks for all the original characters in the kingdom, even those who’d just been mentioned briefly in the earlier books, and for me it was easily the most deadly dull part of the whole book. By the time we finally arrive nine months and a hundred pages later, all I could picture was that scene in Monty Python And The Holy Grail where everyone is yelling “Get on with it!”

The most disappointing thing for me about BEAUTY’S KINGDOM was how little we get of Beauty or Laurent’s points of view once they are established as the new rulers. Most of the book is about how Lady Eva kept the kingdom traditions going in the absence of its previous rulers and then how each of Beauty and Laurent’s fellow pleasure slaves from twenty years ago return to take control over various areas of activity in support of the new regime. There are a few chapters here and there featuring “volunteers” in the new and improved pleasure slave experience, and those were the stories that kept me reading when I was tempted to give up. But for someone whose name is in the title of the book, Beauty herself gets precious little time in BEAUTY’S KINGDOM, and the book suffers in her absence.

Yet all could have been forgiven if the ending of BEAUTY’S KINGDOM was worth the work to get there. The other characters constantly refer to some terrible secret involving Lexius, the mysterious Sultan’s servant who’d been mastered by Laurent back in the third book, but when both he and it are subsequently revealed, I didn’t know whether to be amused or appalled. Meanwhile in the few glimpses we get of Beauty herself, we can see she’s still not fully content with her role in the new kingdom despite all the public credit given to her. Up until the very last scene, I was holding out hope that the parallels drawn between her and the pitiable Sir Stephen were hinting at an updated happy ending for her. But like so much of what preceded it, what is intended as Beauty’s ultimate triumph fell flat for me. By then, I was happier to be done with the story than with what I got at the end.

In conclusion, for me BEAUTY’S KINGDOM was as overstuffed as a Thanksgiving turkey, and just as lifeless. I’m not sorry i read BEAUTY’S KINGDOM. I’m only sorry it wasn’t better.

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